For my artist friends out there, I’d love to have your input on this story on the authenticity of some recently discovered Jackson Pollack paintings of dripped paint on canvas.
Here are the questions Gene Edward Veith asks on his blog that I’d love for some artists to comment on:
“if one set of drips has aesthetic merit, why not another? Didn’t Pollack want to keep the artist out of the work? So why does the artist make such a difference?”